Mike's
Pith & Wind - The Bill
Dick affects surprise, tinged with undisguised
disdain, when I tell him that I regularly watch that old BBC TV
stalwart, The Bill. While it’s demonstrably evolved over the
years, it’s still the same old British cop show we watched
all those years ago, although ‘original’ cast members
are becoming very thin on the ground.
But it’s not the cast members, (and the occasional grisly
ends they come to as they move on to other TV series), nor is it
the fairly predictable plot lines that fascinate me. It’s
not even the fact that, unlike most other contemporary British cop
shows, nobody swears or even comes close to swearing, although,
in some scarily old-fashioned way, I rather appreciate that.
No, what fascinates - enthralls me even - is how, in every episode,
The Bill demonstrates what a controlled society England has become
– in fact, what a police state England has become.
There is not an episode goes by without some wrongdoer‘s movements
being seamlessly tracked on CCTV with scarcely a break, apart from
the odd vandalised camera. It’s quite astonishing and not
a little breathtaking when I compare it to the London I knew ever-so
briefly in the ‘70s, or even if I compare it to Melbourne
in the here and now. There, I suspect, but for one terrorist bomb,
go we.
And all of this surveillance has been effected with the tacit, if
not explicit, approval of the bulk of the English populace. (I dunno
– was there a vote or a referendum on the issue? I don’t
think there was). read
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