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September |
Craig
Horne composes a question |
Mike
gets the Horne
28.9.17 - Craig Horne (pic)
has been commisioned to write a long overdue appraisal in book
form of Daddy Cool and came over to the wilds of Mt Evelyn the
other day to chat about my part in DC's amazing career. Of course,
like everybody else all I did was watch on in wonder from the
wings, but I did play with the Rosses in the Party Machine as
well as the monolithic Sons of the Vegetal Mother outfit that
spawned DC.
In the meantime you could well wonder if Spectrum hasn't been
wiped out in a tragic combine-harvester accident such is the
silence pervading our erstwhile semi-regular haunts. It seems
the St Andrews pub has (unofficially) dropped Spectrum off their
radar, as has the Lomond Hotel (officially) and they were the
two mainstays on the Spectrum calendar.
In the meantime, stuff has been happening, albeit behind
the scenes. If you were to check out the recently updated Booking
page you'd see that I'm rethinking the one-name-fits-all approach
and playing with some alternatives.
One of them at least you might be aware of, like the recent
addition of former Arielist Glyn Mason to the basic four-piece
Spectrum to produce the rather cumbersome but nevertheless descriptive
Spectrum to Ariel tag, which already has a track record over
the last eighteen months at the Caravan Music Club - and even
interstate. That and the even more recent injection of another
Mason into the mix, Brenden Mason of Madder Lake, to make Spectrum
plus (so new there's no pic and |
it's not even on the
Booking page yet), means that the ever-constant four-piece version
of Spectrum that we all know from decades of gigging around
the country is free to evolve into Mike Rudd's Indelibles, (or
just The Indelibles), to carry on its eclectic presentation
of Rudd's Ancient & Modern shit (with some blues thrown
in) at a comparatively modest fee. Then there's 1st BASE, Mick
'n' Broc and even just me on my Todd. (Check out the Booking
page)
While none of these outfits are actually working right now it's
simply rearranging the deck chairs, but thankfully there are
some untapped resources to be exploited. Craig Horne was sympathetic
for instance and came up with a couple of suggestions. And,
now I come to think of it there are actually some gigs
to look forward to. There's the Frankston Guitar 20th Annivesary
show that the Spectrum Trio is playing (I forgot about the Trio)
in just a weeks's time. Then there's Spectrum at the Marysville
Jazz & Blues Festival on the 22nd of October and then the
3MDR Big Gig gig. Hmmm.. I'm feeling better all ready.. |
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September |
1)The nine-piece
1965 Masters sound check at the Corner Hotel - Rob Pippan on the left
2) Mike gets the audience to sing all of I'll Be Gone
Mike
croaks at the Corner Hotel with the 1965 Masters Apprentices
2.9.17 - On Monday evening I noticed
my throat was feeling a bit rough and my legs were aching. I gargled
and hoped that it didn't foreshadow something more sinister - but
of course it did. By Thursday I could feel some energy returning at
least, but no voice, which was problematic as I had Spectrum's appearance
at the Corner Hotel with the 1965 Masters Apprentices slotted for
the Friday night.
By the time we got to the sound check on Friday evening I thought
I'd recovered enough of my voice to bluff my way through our forty
minute set, as long as there wasn't too much singing and I could get
the crowd to sing I'll Be Gone - all of it! Which is the
way it worked out and I don't think too many people were disappointed.
Not that that was the point, of course. The evening was by way of
celebrating the Masters' place in Australian rock history and with
three of the surviving original Masters on stage augmented by six
of Adelaide's finest it was a surprisingly satisfying tribute. While
it was personally good to reacquaint with Twilights' bassist John
Bywaters filling in for original Masters' hassist Gavin Webb on the
Melbourne leg of the tour, (I think the last time we met was back
on the Long Way To the Top tour in 2004), it was a real privilege
meet up with the original MA members, Mick Bower, (one of the early
Masters' principal writers), drummer Brian Vaughton and guitarist
Rick Harrison.
The surprise was being introduced to Mark Holden's brother, Craig
Holden, who took Jim Keays' role for at least half the show. Did a
fine job too, and Mark assures me that he and Craig are getting together
for some future musical projects. Honestly it was a bit disconcerting
seeing them both together though.
Anyway, the good-sized crowd at the Corner, old and young (a surprising
percentage of youngsters in front of the stage singing along with
the lyrics, which tickled Mick Bower considerably) loved everything
the 1965 Masters threw at them. I recognised most of the covers the
Masters did as my Christchurch band, Chants R&B, covered many
of the same songs. Jim and I found a lot of common ground in his last
few years and I suspect he would've approved of the show and be itching
to pull on his rock 'n' roll boots and take centre stage.
Thanks to Rob Pippan (pic 1) for thinking of Spectrum to
support such a show. |
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