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On
the road again!
1)
Glen and The Fingerlings at The Sandbar 2) Mick Wordley contemplates
life on GF day
3) Doc
Neeson's brother Kev Neeson lent us his backyard for a show
4) Robbo and friend
5)
The crowd starts to build at the Semaphore Workers Club 6) Mike
vents some frustration (pic - Hunter) |
7) Bill
at the Semaphore Workers Club (pic - Hunter) |
gig
report
The Sandbar Mildura 25.9.09
Kev Neeson's place Camden Park SA 26.9.09
The Semaphore Workers Club SA 27.9.09
Spectrum goes to Adelaide
30.9.09
- My unsolicited chest infection
peaked on Thursday and transformed into a streaming head cold
in time for our early departure for Mildura on Friday morning,
matching the rather bleak weather blowing in from the southwest.
Mildura was colder and wetter if anything when we arrived,
so we grabbed a bite and rested up at the motel until it was
time to go to The Sandbar. Glen, the bass player from the
Fingerlings (pic 1) was also the venue's sound guy
and was very helpful setting up the sound. As soon as we started
to play I began to feel a bit better and |
because of that, and in deference
to the older people in the room, we just kept on playing. In
the end we played in excess of a two hour set,
and much to my relief, my voice hung in for the entire night.
I'd conspired with Mick Wordley (pic 2) to lob at his
place for the AFL Grand Final, and we just had time to check
in at Flinders Lodge before heading out to Mick and Robyn's
place in Hawthorndene and enjoying their boundless hospitality
while watching a tense battle for the flag - I was the only
one in the room quietly supporting the Cats.
From the Wordleys it was straight to Kev Neeson's (pic 3)
place in Camden Park, where Greg Osborn had arranged a 'private'
Weekend Warriors gig in response to my pleas per the SA e-mail
list. It was a bitterly cold night with a couple of showers
thrown in to keep everybody on their toes, but it turned out
to be a lot of fun anyway - and Jim took advantage of the opportunity
to propose to his girlfriend Susie to crown an eventful night.
We got lost on the way to the Semaphore Workers Club, but we
were delighted with the room when we finally got there. Although
it used to be a yacht club, it's a genuine in-yer-face workers
club these days - you even get the hammer and sickle rubber
stamp (pic 8) as proof of entry - and the obvious fellowship
of the members adds to the atmosphere already in the room.
A good crowd was building as we set up, (pic 5) and
by the time we graunched into action the room was absolutely
full! Comrade Dave Pearse (pic 11) (sound engineer/booker)
said it was the first time they'd had to close the doors and
my friend Marilyn (Rudd) had to claim kinship to squeeze herself
and her relatives into the room. (I can feel a song coming on..)
Paradoxically, but not entirely unexpectedly for those who know
me, I proceeded to dish up a scatter-brained performance, which
didn't exactly destroy the day, but it could've been so much
better. I think I'm going to have to experiment with some alcohol
variant to curb my brain's tendency to spoil the party.
Happily most of the room seemed to enjoy the performance, (check
out Michael Hunter's pics
and videos of We
Are Indelible, Rock
& Roll Scars and Xavier
Rudd on YouTube*) and Comrade Dave was musing about
the next visit as we loaded out. As well as a sold-out venue,
we'd sold a world record number of CDs, so we drove back into
town and celebrated with a slap-up meal at the band's expense.
Hooray for us!
*Now
also see Some
Good Advice, I
Want To Know and Hoochie
Coochie Man c/o Michael Hunter |
Greg
Brown's bonus Semaphore shots
8) Lachie's
really cool stamp 9) Ron Alphabet tries on Lachie's headphones
10)
This is the end my friends - probably the end of Spoonful 11)
Comrade Dave Pearse |
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Two
photographers
15.9.09 - I must pop along to
see Brian Pieper's Unseen 1970’s Rock ’n’
Roll Photography exhibition - Spectrum's in it! It's at
the Synergy Gallery, (253 High St, Northcote), and it opens
tonight at 6:30. The gallery's open from Wednesday to Saturday
at 11.00 till 4.00 and runs until the 26 Sept (Also open all
day, with live music, on Sunday 20th September, as part of High
Vibes Music Festival). Assembled and exhibited for the
first time, this collection of works transports the viewer to
another era. Mainly black and white, shot on a Pentax SLR, all
by one person, Brian Pieper, (mainly known for his printmaking),
the photographs have been hand-printed using traditional darkroom
processes, from original negatives, with no digital intervention.
The exhibition includes images of the Rolling Stones’
February 1973 concert, Rod Stewart and the Faces (featuring
Ronnie Wood), Dolly Parton on her first tour of Australia, Billy
Thorpe, Daddy Cool, Spectrum and many other well known bands
of the seventies. It includes a prequel of snaps taken of The
Groop (featuring a very young Brian Cadd) in 1968, and a postscript
of Died Pretty at the Club in Collingwood in 1988.
Another photographer in our orbit is Lloyd Godman, who
has created a large sculptural walk-in installation called Carbon
Obscura that, as the name suggests, uses the principle
of camera obscura to present a stunning show. The work
was commissioned as part of ‘The Grid’: a Green
Expectations Project that aims to raise awareness and discussion
about climate change and was open to the public at Federation
Square, and although I don't think it's there any more, you
can check out what it looked like on YouTube |
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3CR sound
technician Meg and Matt Gleeson |
Breathing
Space Too 3CR
interview 6.9.09 - 3CR is
an anomaly on the Melbourne radio landscape - an AM community
radio station in an FM world - but, by way of compensation,
it plays host to a bunch of shows with a far more radical political
agenda than any of its FM counterparts, while still managing
to have presenters who are in it for the music. Matt Gleeson
(pic) is one of those, and as I pulled up outside the
station on Friday I tuned in to Matt's show and heard part of
a phone interview he was conducting with an unusually forthcoming
Steve Kilby - and that's the thing: if the subject of the interview
is lulled into his comfort zone by the thought that not too
many people are listening, you can get |
the most revealing interviews. Anyway,
Matt was a generous interviewer in person and had obviously
seen Spectrum playing live, so his questions and observations
were well informed. I wonder how many people heard it though..
Listen
to Mike's
interview with Alan Brough on ABC radio (story on the A Separate
Reality page) |
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Surprise!
1)
Enza with 'surprised' guest, Jon Cattapan 2) Our host, Bernd,
(standing) and guest
gig report
Bernd Rohrrman's unbirthday
party Black Ruby North Carlton 4.9.09
The
professor's surprise un-birthday party
5.9.09 - Usually surprise parties are
devised to surprise the birthday boy, but Bernd Rohrmann,
(pic 2) Associate Professor of Psychology at Melbourne
University, has never acknowledged his birthdays, and so feels
free to create an annual surprise party for his hand-picked
guests at round about the time his birthday might've been.
The venue is always the same, (Black Ruby in Rathdowne St
Nth Carlton), and the surprise element is the entertainment,
and Bernd goes to extraordinary lengths to keep his choice
of (usually) musical entertainment a secret from his guests.
Bernd first approached me when we last played the Lomond,
and since then he's been in constant contact, excitedly planning
the way the evening might unfold. Black Ruby is tiny and unlicensed
for music, so drums were verboten, (and anyway, Robbo's
still in the Libyan desert somewhere), so I suggested that
Bill and I combine with our favourite female singer, Enza
Pantano, (pic 1) as well as Jimmy Sloggett, as Bernd
was keen to have a saxophonist. Because the place is so tiny,
we decided to forego vocal amplification and we brought along
just a couple of amps for the guitars and bass.
To prolong the surprise element, the band was hidden upstairs
for an hour or so until all the guests arrived and then Bernd
announced our entrance. (Jon Cattapan (pic 1) was
in attendance, so in one case at least, the surprise was mutual).
The first set comprised almost entirely of numbers
from the Living on a Volcano CD, for which Jimmy
provided a simple but effective conga accompaniment - it was
great to hear the three (and four) part harmonies. (I was
also very pleased at the blend of my steel-string Martin (George)
with Bill's nylon strings). For a complete change we finished
the set with Enza's choice of Italian folk song, Il Tango
de Capnere, (with me on mandolin), and Jimmy's sax rendition
of Return to Sorrento.
After a fine meal, courtesy of Bernd and Black Ruby, we began
the second set with the 'b' version of I'll Be Gone
and then found our way into the blues bracket with Enza and
Jimmy again featuring somewhere along the line in a gorgeous
version of Summertime.
To Bernd's obvious pleasure, all the guests seemed to
be duly surprised and, from what I can gather, wholly delighted
with his choice of un-birthday entertainment. We had fun too,
and I'd be even more thrilled if we could repeat the performance
with Enza and Jimmy in the not too distant future. Hmmm.. |
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Mike
tries to look busy at home in downtown Cinemascope (pic
Josie Hayden) |
St
Andrews is off and other stories..
2.9.09 - Adam asked if I'd seen the article
in the Leader
when I walked into Choclatté. I was still grumpy from
having to cancel the St Andrews gig slotted for the 13th, but
I had a look anyway. Check
it out The good news is that the Breathing Space Too
EP is back in stock, just in time for our trip over to the Semaphore
Workers Club in SA via The Sandbar in Mildura. In the
meantime, book now at Ticketek
for the Rock
of Ages show on Fri. Oct. 2nd |
I almost forgot. I received an e-mail
from The Soundgarden the other day and it seems that our genial
hosts, Dave and Maree, are calling it a day after this coming
weekend. That's sad in so many ways, but not least because they
whole-heartedly enjoyed the experience of putting on good food
and entertainment and their enjoyment was infectious. North
Laverton will resume being just another suburb we speed past
on the way to somewhere else - we'll miss them. |
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