Mike
Rudd & Bill Putt's videos It
had to happen - and it has. Here are all
the video clips I can muster for the moment
on the one page. If you wanna check them
out on YouTube, go to www.youtube.com/elbide
Crying 10.7.14 - There's been such
a fuss made about this version of
Roy Orbison's Crying I sang
with Jess Cornelius on RocKwiz back
in 2009 that I've had to add it to
the list. It was great fun though
and I went on to do another live RocKwiz
show in SA with Jess which was perhaps
regrettably unrecorded.
Soul
Man 28.8.11
- You may have read that the
'launch' for the Breathing Space
As Well EP rather descended into
farce when the EP in question failed
to show up. However, the second objective,
to record some footage for Soul
Man, was achieved satisfactorily,
largely through the agency of Wrokdown's
Anita Monk and camerapersons Brenden
Mason and his wife Hilary. To them
much thanks. I'm going to tool around
with some extra footage and see what
comes out, but in the meantime this
will give you the idea. Hooray!
Xavier
Rudd Is Not My Son 7.8.09
- Thanks to Wrokdown's producer,
Anita Monk, there's a 'bed' of the
band performing the song in relaxed
mode at the Wrokdown taping last month,
over which the antics of Mr Morris
Nylon, Strathie Bill, Capt. McTubby
and Chopped Liver have been lain.
The song's title means that the clip
is rubbing shoulders with yer actual
Xavier Rudd clips on YouTube - I wonder
if that'll eventually provoke a response
from the man himself? We've never
been introduced, although we met up
with his parents and siblings a few
years ago at the Torquay Golf Club.
Rocket
Girl - the sequel 3.4.08
- For
whatever reason, this never got shown
at the Capers' launch. Which is a
shame, 'cause I think it's funny.
Well done Mazz! For better quality,
go to Mazz's YouTube
site.
Incidentally, you should enjoy the
visually uncredited snappy acoustic
guitar solo by Tim Gaze.
Judith
Durham - and Spectrum - perform Summertime 13.10.09
- It's one of those once in a
lifetime opportunities, and I'm really
quite chuffed the Wrokdown cameras
captured this beautiful performance
by Judith of the Gershwins' classic
with Spectrum doing the back-up. Many
thanks to Wrokdown's Anita Monk for
providing the Wrokdown footage and
to Judith's management for giving
permission for us to upload it to
YouTube for the world to enjoy.
Incidentally, I've had a lot of very
lovely feedback about the RocKwiz
duet with Jess Cornelius. Why not
check
it out for yourself?
Spectrum
- I'll Be Gone in stereo at last!
13.1.09 - I could say the original
and the best, but actually this is
even better than the original! Some
of you children wouldn't even know
what 'mono' (monaural) is, but the
original I'll Be Gone release
in 1971 pre-dated stereo, in Australia.at
least. So a few years ago I had the
notion of re-striping the stereo edit
of I'll Be Gone onto the
original and much-loved black &
white film clip, directed by Chris
Lofven all those years ago. The National
Film & Sound Archives painstakingly
interpolated extra frames to bring
it back to true pitch and after nearly
two years of struggle and perseverance
I'm sure you'll be happy and possibly
a little surprised with the result.
Spectrum
- I'll Be Gone again - but wth a twist!* 3.7.09
- This
was given to me by my mate Trevor
Leedon, who bought it from the Camberwell
Market. Play it through and see if
you notice something odd..
Did you pick it? The reprise was supposed
to be the second verse, (and I actually
mime the second verse), but what is
actually played is the first verse.
I have the vaguest memory that the
backing might've been from a tape
supplied to Move by EMI, but I don't
really know. Curious though..
Incidentally, a fashion note: Bill's
wearing a wrist watch (!) and it appears
I'm wearing socks with my sandals
*Sherbet plays I'll
Be Gone!
Spectrum
- Launching Place Part 2 11.12.08
- I mentioned this a while back
but have just got round to adding
it to the assortment of clips on this
page. Simon Kain from ABC Archives
mentioned he'd like to use this clip
to introduce their website page of
Music Collections and has given us
permission to use it and a couple
of others here. This is a classic
performance from a 1970 edition od
GTK featuring a very young Mark Kennedy
and the unique Hammond organ stylings
of Lee Neale.
Spectrum
1972 - Everybody's Walking Sideways 27.6.09
- Another contribution from the
ABC's Simon Kain, although the more
I look at, the more I suspect it's
not a GTK recording. I'll have to
check the original correspondence
and see if there's a hint as to what
show it might be. Everybody's
Walking Sideways is from the
Sideways Saga suite on the
Milesago album and it was
a curious song to choose. I'll get
back on this..
I'm now thinking it was Dick Williams'
Hit Scene on ABC TV. More
to come..
Spectrum
plays the GTK theme 24.6.09
- I was compelled to make an
attempt to tidy up and to some extent
catalogue the CDs and DVDs cluttering
up my living space. I found this particular
DVD that the ABC's Simon Kain had
sent me and which I'd intitially turned
down because of synch. issues.
It's not that substantial, and frankly,
it's not that good - the anarchic
Fugs-type approach I had in my head
doesn't really come off. Still, it's
a slice of history..
Spectrum
- Who is Bugging You?
Spectrum
- Make Your Stash 14.3.09
- Daz tipped me off about this
other Rettrodood
discovery - the second lineup
of Spectrum on GTK with Ray Arnott
on drums, and quite a (subtly) different
version to the orginal on the Part
One album.
Spectrum
- But That's Alright 6.5.15 - Perhaps 1971 or
there again maybe 1972 and who knows
what show? But here we are miming
the single version of But That's
Alright - drummer Ray Arnott
looks particularly serious.
Thanks to nzoz and YouTube
for this, but there might be the odd
ad popping up to spoil your viewing
pleasure.
Harvey
James and Ariel on GTK 2.2.11
- First, many thanks to Adrian
Costello and Michael Hunter for pointing
out that this rage/GTK clip was on
YouTube. I taped it on IQ at the time,
but I haven't worked out if it's possible
to download stuff from IQ. The funny
thing is I'd completely forgotten
that we'd recorded this - in fact,
I'd forgotten that this line-up of
Ariel did any TV at all, although
now that I think of it, I think we
played Keep On Dancing (live)
on Countdown when we got back from
the UK.
For detail snoops, this version of
Rock & Roll Scars must've
been recorded before we left for the
UK as the arrangement is slightly
different from the Abbey Road version.
The start is different and the verse
tags were reduced to just the one
at the very end of the album version.
Harvey's facial tics are at an early
stage of development - they later
transformed into a sustained grimace
- but his solo is typically exciting
even without his usual delay overload,
and his rhythm playing through the
rest of the song perfectly complements
my rigid pattern while remaining tonally
transparent. It's a good feel and
we look relaxed in sturdy monochrome.
Vale Harvey.
Ariel
- Hard Way to Go 30.7.14
- Harry Brus stuck this GTK clip
up on FB a little while back as a
dedication to the late, great Bill
Putt and sadly it remains one of the
very few live records you can see
today of this fabulous line-up of
Ariel. We all look a a bit grumpy
'cause it was raining and we were
due in the studio the very next day
to record A Strange Fantastic
Dream with the late Peter Dawkins
at the helm. Grumpy or not, Tim is
playing sublimely.
Ariel
- Jamaican Farewell 16.4.15 -
I discovered this on my iPhone
and I guess owe Farkle Berry a big
thanks - I haven't seren this
ever I don't think. Probably
catching the band at its ebullient
eye-rolling best very early in its
career. There's a comment by someone
to the effect the song got shredded
by NME - but they changed their tune
later. It's a shame the band couldn't
be held together - we could've been
heavy-weight champeens of the world!
Disco
Dilemma 9.3.09
- I got told about this clip
being on YouTube last week and I got
pretty excited. I don't have a copy
of the single or the video and I've
been thinking we should incorporate
the song in our set list - Disco
Dilemma was our third biggest
seller after IBG and Jamaican
Farewell. I put in an unintentionally camp
performance, not helped by the white
make-up, as the rest of the band tries
to look enthusiastic. Taragirl101
suggests that Paul Drane directed
the clip and Angie Keith, a friend
of ours, did the classy dance sequence,
which mightn't be very disco, but
then neither is the song.
Thanks to RettroDood
for finding this and putting it up
Funky
Road interview 11.12.08
- I'd
forgotten entirely about this interview
and the programme (Funky Road) for
which it was recorded for that matter.
My sibilant 's' (that would have to
be rectified if I wanted to pursue
a career as a teacher I was told)
is prominent, as is Glyn's discomfort
at being asked about our writing together
(we never did that really). I wonder
what happened to Stephen MacLean?
Another
I'll Be Gone..
10.11.08 - I almost forgot -
Peter Laffy got in touch to remind
me that we'd been filmed at the New
Capers' lauinch of Breathing Space
back in buggered if I can remember
earlier this year. This is a particularly
pedestrian version of the B version
of IBG, notable for the inclusion
of Nic Lyon on bass and Tim gaze on
guitar, but also a dud reed on my
E harp, which only ever gets a workout
on this song. Laff said he was sending
me some DVDs of the whole show, but
in the meantime you can go and check
out some more footage on the webite
when I remember whatever the address
is..
BTW, there's a James Reyne version
live on RocKwiz
too!
Mike
on Wrokdown 14.2.08
- Wendy
Stapleton does her best with Rambling
Mike Rudd, but he just rambles on
and on till the collective snoring
almost drowns out the interview. Anita
Monk's worthy agenda with Wrokdown
is to track the latter-day careers
of active musicians and artists from
the sixties and seventies and apprise
the great unwashed of the same. This
particular episode has been shown
twice on Channel 31 and may even have
helped our crowds (Wendy played the
previous Sunday) at the Mordialloc
Sporting Club. Or not..
It
Comes As No Surprise
- Mike and Dick's entrant in the Pigdon
Five-minute Film Festival It
didn't win the Oscar, but I believe
that it won a lot of friends in the
audience on the night. Unfortunately,
owing to a prior commitment at the
Wild Thyme Café I couldn't
be there, but Dick said his daughter
Elizabeth wasn't actually embarrassed
by it, so he's deliriously happy.
Incidentally, we owe a debt of thanks
to Bill Dettmer,
who added to the reality and drama
of the crucial opening scene by loaning
us his ambulance - and himself.
Laser
Lover 27.8.09
- Lairie Tunnicliffe loves
this period of the band's career.(see
the Correspondencepage) To quote: '..its a disgrace
that this 80's electro-pop group is
trading on your name. This group obviously
set the drum machine to 120 beats
per minute and recorded one long song
with all the typical synth/keyboard
sounds/lines, and carved it up into
12 tracks.'
I'd forgottten that we released Laser
Lover as a single. Almost disco/reggae
in feel and a cute sci/fi conceit,
but like Laurie now, nobody in the
'80s bought The Heaters' as a pop
band either..
The
Heaters live at the Mushroom Evolution
concert 18.5.09 - Thank goodness!
A live clip to balance the extraordinary
silliness of the promotional videos.
Thanks to the indefatigable RettroDood
for digging up another Rock Arena
clip.
More to say when I get my breath back..
The
Heaters - I'm An Animal 18.5.09 - RettroDood
strikes again! Incredibly, this is
an even hammier experience than the
other clips he's unearthed. Our old
friend Howard Gable, who produced
this single and The Heaters' The
Unrealist album, had persuaded
us that we should get into putting
eye-makeup on (kajal) for our live
performances - so we used it on the
clip as well! I seem to remember the
live part was filmed at the Bombay
club. I'll think of something else
interesting to say about it eventually..
The Countdwn version is much better
- see nearlyoutofideas
on YouTube.
Australian
Girl 21.4.09
- I just rang Daz to get a phone
number and he was foaming at the mouth
about The Heaters' Australian
Girl clip up on YouTube. Well,
I've got the Countdown 'live' version
at home, but I'm obliged not to share
it with you, which is a shame, because
I have to say it's a fraction less
embarrassing than this version. It
gets one wondering what happened to
all those girls - if any of you are
out there from the day we recorded
the clip down in Oakleigh in 1980,
get in touch. Incidentally, that's
Ariel's Tony Slavich on keys, Paul
Grant on guitar, (respect), and the
ever-affable Manny Paterakis on drums
Aussie
Girl - Countdown style 30.8.09
- 3D Radio's Michael Hunter dug
this one up for me, and it provides
a camparatively restrained counterbalance
to the official clip - and probably
got seen by ten times the audience.
Still didn't do much good for the
sales though.. One of the songs I'm
considering revising for a Liberation
Blue-type treatment.
WHY's
Woman of Steel 12.5.09 - It was Daz (again)
who alerted me to this track on the
illustrious RettroDood's
YouTube site. I'm not sure that Tony
Fossey actually played any live gigs
with WHY - maybe the short-lived Hey
Hey It's Saturday Night. WHY
enjoyed an equally asteroid-like career,
plummeting through the thin Australian
atmosphere before plinking harmlessly
onto a Melbourne pavement.
This was the only one John Kapek managed
to salvage from the Present Tense
album. Itwas recorded on
analogue, converted to digital and
then released on 12" vinyl -
go figure..
WHY
on the Daryl Somers Show! 15.6.09
- It must be more than a year
ago that I got a data disk from ex-Heaters/WHY
keyboardist Tony Fossey, but it wasn't
till last week that I got around to
checking it out. We used to snigger
at Tony for religiously keeping a
record of everything, but now I'm
grateful - there are some real treasures.
The Daryl Somers show didn't last
long, but this clip probably demonstrates
better than anything else on record
what WHY was attempting to do. There's
a bit of tape wow at the start and
guitar hoemorrhaging in John Moon's
solo, but that just adds to the live-ness.
WHY
on Hey, Hey It's Saturday 17.6.09 - Even rarer than
WHY playing on the Daryl Somers Show,
(below), is this clip of
WHY on Hey, Hey It's Saturday
playing Percy Grainger, a
track from the unreleased (in Australia)
album, Present Tense. (It's
a long, painful story,that
will probably never be told). In an
all-too typical case of failure of
imagination, this song is uncomfortably
shackled in its '80s power-pop shoulder
pads, whereas it should have been
given the vaudeville straw hat treatment.
By the time we get to the rather childish
punchline, you just don't care. Daryl
and the ostrich have fun with it..
Going
Home 4.2.15 -
Thanks to Peter Carolan for preserving
this rave from the trio's gig at The
Lomond Hotel (Sat. 24.1.15). The stream-of-consciousness
rave is something I used to do on
a regular basis but a lot less often
these days - I guess I have to be
in the mood, but I also suspect the
possibilty of people recording me
is an inhibiting factor. I don't want
to offend anybody in the room, of
course, but having to consider a YouTube
audience as well is a big ask, so
I hope that you're not offended.
Chants
R&B on TV3 9.12.07
- Miranda
Worthington read my bit in the Chants
R&B diaries where I said I'd not
seen the TV3 interview with Trev and
me and didn't know whether it actually
had seen the light of day. Mazz saw
it first by accident when it was initially
re-broadcast on Foxtel, and then discovered
it on YouTube. So, here it is, complete
with their mistakenly identifiying
me as Mike Judd. (They love a musical
dynasty in NZ). Thanks Mazz!
Chants
R&B Wild Things Spectacular 25.6.09
- I
had an e-mail from Al Parks in Christchurch
the other day, still waxing lyrical
about the show we did there in 2007
and wondering if we might repeat the
effort at some stage. It provoked
me into having a look at the DVD that
John Baker (Velvet Tiger) produced
of the show we were part of at the
Monte Christo Room in Auckland, along
side such luminaries as Ray Columbus,
The Breakaways (who appeared with
us in Christchurch), Pete Nelson &
The Castaways and others. It's raw
and loud - but there's something exciting
about it..
Rosewood
- Song for Marilyn 4.2.11 - The
third in Bill's Rosewood trilogy shows
the recovery, regeneration and restoration
of Rosemary's Strathewen home and property
since the disastrous Black Saturday
fires in 2009.
Rosewood 2.5.09
- This is a very touching musical
and visual tribute by Bill to his
partner Rosemary and her property
Rosewood in the fire-ravaged hills
and valleys of Strathewen, an hour
or so north east of Melbourne. The
first half shows Rosewood as it was
before the fires - then, bookended
with Rose's prescient painting of
the hill that overlooks the property,
the mood becomes more sombre as Bill's
photos show the same scenes a week
or so after the fires (20.2.09). You
get an inkling of how brave Bill was
in saving Rosemary's house, and
how lucky he was to have simply survived
when so many in the vicinity perished.
Pedro
the goat 4.2.09
- There's really nothing sinister
about Bill's relationship with Pedro
the goat, despite Bill being trapped
for days at a time at Rosewood, his
partner Rosemary's property at Strathewen
miles away from anywhere. (Scroll
down to see Bill's The Valley
of Ewen video below). This is
a charming little song written by
Bill and realised on video with Bill's
usual efficiency - not to mention
with the essential complicity of Real
Guitar's all-round nice guy,
Brenden Mason
The
Valley of Ewen 18.6.08
- Brenden
Mason popped up on my doorstep this
morning, thrust a disc into my hand
and fled back to Real Guitars. So,
here it is at last for your viewing
pleasure, featuring quite a bit of
me as it turns out, as well as the
fiddle-playing Lance O'Reilly. If
you want to see this clip, and any
of the others on this page for that
matter, in its pristine condition,
go to our site on YouTube
Bill's
Zippo
Blues Everytbody
loves Bill, and everybody seems to
love this clip! This is Bill's unique
contribution to the world of advertising
- the Zippo people actually like this
a lot. Our mate Brenden Mason
deserves a gong for producing the
clip, and putting the finishing touches
on the recording - not to mention
putting up with Bill.